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| Title | Description | Filmmaker | Year | Format | Color | Sound | Length | |
|---|---|---|---|---|---|---|---|---|
|
Walk That Dog | A chance meeting between the artist, ten young boy... | Tyler Turkle | 1974 | 16mm film | B&W | SOUND | 16 mins |
| Epilogue to Oobieland (Part Five) | In EPILOGUE TO OOBIELAND there is a return to the ... | Walter Ungerer | 1974 | 16mm film | COLOR | SOUND | 1 mins | |
| Schubert's Lantern | A homage to Schubert (the composer, as well as my ... | Phil Weisman | 1974 | 16mm film | B&W | SILENT | 3 mins | |
|
Midnight Trailer |
Additional animation by Deeling Gregory. A mast... |
Doug Wendt | 1974 | 16mm film | COLOR | OPT | 3 mins |
|
Transcribed Toxicosis | A result of my experience with a psychological tes... | Doug Wendt | 1974 | 16mm film | B&W | OPT | 6 mins |
| Waterbed | One of my earliest films, WATERBED, shot on the Ni... | Andrej Zdravic | 1974 | 16mm film | COLOR | OPT | 5.5 mins | |
|
Something blue | A psychodrama of anticipation on a hot summer nigh... | Art Zipperer | 1974 | 16mm film | COLOR | OPT | 6 mins |
| Seven Days | One frame was taken every ten seconds throughout t... | Chris Welsby | 1974 | 16mm film | COLOR | OPT | 20 mins | |
| Colour Separation | This film is based on the colour separation proces... | Chris Welsby | 1974 | 16mm film | COLOR | SILENT | 2.5 mins | |
| Tree | The camera was placed on the flexible branch of a ... | Chris Welsby | 1974 | 16mm film | COLOR | SILENT | 4 mins | |
|
Beautiful Movie | "...is a filmic cameo during which a passage of bl... | Robert Huot | 1974 | Digital File | COLOR | SILENT | 4.5 mins |
| Train Landscape |
Music by Stan Levine. "Black and white forms, '... |
Jules Engel | 1974 | 16mm film | COLOR | SOUND | 3 mins | |
|
Pasadena Freeway Stills | "I had one of my graduate students drive the car, ... | Gary Beydler | 1974 | Digital File | COLOR | SILENT | 6 mins |
|
Breakdown | A 360 degree pan breaks down as the narrator's mem... | Joel Singer | 1974 | Digital File | B&W | SOUND | 3 mins |
|
Moving Still | This film is still a close part of me. I don't thi... | Al Wong | 1974 | Digital File | B&W | SOUND | 14 mins |
|
Roslyn Romance (Is It Really True?) | My ROMANCE is intended for something like "broadca... | Bruce Baillie | 1974 | 16mm film | COLOR | SOUND | 17 mins |
| Flesh Flows | Intricate animated line drawings, erotic and surre... | Adam Beckett | 1974 | 16mm film | COLOR | SOUND | 6.5 mins | |
| Sausage City |
Music: Brillo Starting with a white screen a ci... |
Adam Beckett | 1974 | 16mm film | COLOR | SOUND | 5.5 mins | |
| Women |
A sardonic film about the cliches laid on women. ... |
Coni Beeson | 1974 | 16mm film | COLOR | OPT | 13 mins | |
| Titles | "[T]he filmmaker is obsessed with shifting time, w... | Beth Block | 1974 | 16mm film | COLOR | SOUND | 17 mins |