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| Title | Description | Filmmaker | Year | Format | Color | Sound | Length | |
|---|---|---|---|---|---|---|---|---|
| 50/96: Snapshots (for Bruce) 16mm Version | Realization, script, cinematography, production: K... | Kurt Kren | 1996 | 16mm film | COLOR | SILENT | 5 mins | |
| Remedial Reading Comprehension | Two kinds of material are used: 1) Material in the... | Owen Land | 1970 | COLOR | OPT | 5 mins | ||
| What's Wrong With This Picture 2 | "The first portion of this film is an old instruct... | Owen Land | 1972 | 16mm film | COLOR | OPT | 5 mins | |
| Preview |
camera by Sylvia Gruner & Pelle Lowe Preview th... |
Saul Levine | 1989 | Super 8mm, 18 fps | COLOR | SOUND | 5 mins | |
| Submission |
Made with Mark LaPore. A confrontational rant a... |
Saul Levine | 1988 | Super 8mm, 18 fps | COLOR | SOUND | 5 mins | |
|
Note To Colleen | Opens with a short portrait of Marjorie Keller tha... | Saul Levine | 1974 | 16mm film, 18 fps | COLOR | SILENT | 5 mins |
| Dead Day Display Note | Saul Levine | 16mm film, 18 fps | COLOR | SILENT | 5 mins | |||
| Light Lick: Pardes: Night Time is the Right Time | Saul Levine | 16mm film, 18 fps | COLOR | SILENT | 5 mins | |||
| Light Lick: Pardes: Drowned Hat Rescue Media City Motown Jump | Saul Levine | 2014 | 16mm film, 18 fps | COLOR | SILENT | 5 mins | ||
| On Another Note | Notes on chance, readymades, and time. Shot at Mas... | Saul Levine | 2019 | 16mm film | COLOR | SILENT | 5 mins | |
| Quick Opener | QUICK OPENER is a short comedy. A baseball movie f... | Brady Lewis | 1987 | 16mm film | B&W | SOUND | 5 mins | |
| Dogs of the Forest | An apocalyptic vision of dogs in the dark forest a... | Leonard Lipton | 1972 | 16mm film | COLOR | SILENT | 5 mins | |
| Powerman | A homage to the superhero. Lipton's only animated ... | Leonard Lipton | 1966 | 16mm film | COLOR | SOUND | 5 mins | |
|
De Luce 1: Vegetare | This title is available to rent together with D... | Janis Crystal Lipzin | 2009 | DVD | COLOR | SOUND | 5 mins |
| Cassis | A small port in South of France, a lighthouse, the... | Jonas Mekas | 1966 | 16mm film | COLOR | OPT | 5 mins | |
|
4891 | 4891 is a political 1984-ish sci-fi paranoid film ... | Toney W. Merritt | 1970 | Digital File | B&W | SOUND | 5 mins |
|
Embracable You | A grating film whose conception was inspired by eq... | Toney W. Merritt | 1979 | Digital File | B&W | SOUND | 5 mins |
|
Game | Sometimes it seems that there is more at stake whe... | Toney W. Merritt | 1973 | Digital File | B&W | SOUND | 5 mins |
| Science Fiction | A recycled film that playfully explores the space-... | J.J. Murphy | 1979 | 16mm film | COLOR | SOUND | 5 mins | |
|
I Began to Wish | The sea sucks the seed back into the ocean, the fl... | Julie Murray | 2003 | 16mm film | COLOR | SILENT | 5 mins |