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| Title | Description | Filmmaker | Year | Format | Color | Sound | Length | |
|---|---|---|---|---|---|---|---|---|
| Loads | "San Francisco-based Curt McDowell has always been... | Curt McDowell | 1980 | B&W | OPT | 22 mins | ||
| Light Lick: Daily Camera | "Saul Levine began his LIGHT LICKS series in 1999,... | Saul Levine | 2011 | 16mm film, 18 fps | COLOR | SILENT | 8.5 mins | |
|
Saving the Proof | "SAVING THE PROOF is a complex transformation of a... | Karen Holmes | 1979 | Digital File | COLOR | OPT | 11 mins |
| 20/68: Schatzi | "SCHATZI [explores] the irony of a formal image de... | Kurt Kren | 1968 | 16mm film | B&W | SILENT | 3 mins | |
|
RUN! | "Scientists use natural enemies and poison sprays ... | Malic Amalya | 2019 | Digital File | COLOR | SOUND | 10 mins |
| Self Song/Death Song | "SELF SONG documents a body besieged by cancer. Th... | Stan Brakhage | 1997 | 16mm film | COLOR | SILENT | 4 mins | |
| Cat's Cradle | "Sexual witchcraft involving two couples and a 'me... | Stan Brakhage | 1959 | 16mm film | COLOR | SILENT | 6 mins | |
|
Great Blondino, The | "Shooting in 1966 without script, story, or any na... | Robert Nelson | 1967 | 16mm film | COLOR/B&W | OPT | 42 mins |
| Rape | "Short but very sharp, JoAnn Elam's film RAPE has ... | JoAnn Elam | 1975 | 16mm film | B&W | SOUND | 35 mins | |
| Wall Street | "Shot at high noon in New York's financial distric... | Jim Jennings | 1980 | 16mm film, 18 fps | B&W | SILENT | 6 mins | |
| City Opera | "Shot during a stay in San Francisco, Jennings' fi... | Jim Jennings | 2000 | 16mm film | COLOR | SILENT | 9 mins | |
| Interior | "Shot in a Queens, New York apartment, Interior... | Jim Jennings | 2001 | 16mm film | COLOR | SILENT | 9 mins | |
|
Arequipa | "Shot in the Peruvian convent of Santa Catalina, A... | Barbara Hammer | 1981 | 16mm film | COLOR/B&W | SILENT | 10 mins |
| Sky Blue Water Light Sign | "SKY BLUE WATER LIGHT SIGN is best seen in total i... | J.J. Murphy | 1972 | 16mm film | COLOR | SOUND | 9 mins | |
| So Is This | "SO IS THIS parlays an elegantly simple concept in... | Michael Snow | 1982 | 16mm film | COLOR | SILENT | 45 mins | |
| Passage of the Bride, The | "Solomon's work - some of the best of contemporary... | Phil Solomon | 1980 | 16mm film, 18 fps | B&W | SILENT | 6 mins | |
|
Summer's End |
"Something that used to bug me." Camera, Sound,... |
Toney W. Merritt | 2024 | Digital File | COLOR | SOUND | 2 mins |
| Four Corners | "Sometimes dreams are wiser than waking." These wo... | James Benning | 1997 | 16mm film | COLOR | SOUND | 80 mins | |
|
Woman's Touch, A | "Sonbert was also a noted film critic, and his wri... | Warren Sonbert | 1983 | 16mm film | COLOR | SILENT | 23 mins |
|
Short Fuse | "Sonbert was also a noted opera critic, and he fre... | Warren Sonbert | 1992 | 16mm film | COLOR | OPT | 37 mins |