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| Title | Description | Filmmaker | Year | Format | Color | Sound | Length | |
|---|---|---|---|---|---|---|---|---|
|
If You Stand With Your Back to the Slowing of the Speed of Light in Water | "The superb IF YOU STAND WITH YOUR BACK TO THE SLO... | Julie Murray | 1999 | Digital File | COLOR | SOUND | 18 mins |
|
Dead End, Dead End |
part of the "Loose Ends" series - Untoward ... |
Daniel Barnett | 1981 | DVD | COLOR/B&W | SOUND | 18 mins |
| In Progress |
Co-maker: Ed Small "All the short movies that o... |
J.J. Murphy | 1972 | 16mm film | COLOR | SILENT | 18 mins | |
|
Mexican Jail Footage | Paranoid surreptitious in-jail camera held in pris... | Gordon Ball | 1980 | 16mm film | COLOR | SOUND | 18 mins |
| It Happened In Sarasota | Filmed about six or seven years ago but edited and... | Walter Gutman | 1980 | 16mm film | COLOR | SOUND | 18 mins | |
|
Concrete Parlay | Carried by the frenetic energy of a magic carpet, ... | Fern Silva | 2012 | 16mm film | COLOR | SOUND | 18 mins |
|
The Crack Up | "The ability to hold two opposed ideas in the mind... | Jonathan Schwartz | 2017 | Digital File - DCP | COLOR | SOUND | 18 mins |
|
Slavko Vorkapich Montage Sequences - Slavko Vorkapich |
Maker: Slavko Vorkapich for films by others. Orig... |
1928-1950 | Digital File | B&W | SOUND | 18 mins | |
|
Mnemosyne Mother of Muses | A mirrored form in counter-movement, dense with em... | Larry Gottheim | 1987 | DVD | 18 mins | ||
| Spun |
With Amanda Katz spinning and weaving. ... |
Saul Levine | 1991-1992 | Super 8mm, 18 fps | COLOR | SOUND | 18 mins | |
|
In the Street - Helen Levitt |
Alternate title: I Hate 1010th Street Co-makers: ... |
1945-1952 | Digital File | B&W | SOUND | 18 mins | |
|
Caracole (for Izcali) | In the last few years I have been making a series ... | Nathaniel Dorsky | 2023 | 16mm film, 18 fps | COLOR | SILENT | 17.5 mins |
| Visions in Meditation Part 4: D.H. Lawrence | I've made three pilgrimages in my life: the 40-som... | Stan Brakhage | 1990 | 16mm film | COLOR | SILENT | 17.5 mins | |
| Aleph | "Omniscient perspectives shoot vibratory gleams th... | Robert E. Fulton | 1982 | 16mm film | B&W | SILENT | 17.5 mins | |
|
Dialogues |
The ever-presence of death. - N.D. ... |
Nathaniel Dorsky | 2022 | 16mm film, 18 fps | COLOR | SILENT | 17.5 mins |
| Last Hymn to the Night - Novalis | The great hymns of Novalis ever mourned the death ... | Stan Brakhage | 1997 | 16mm film | 17.5 mins | |||
| Remains to be Seen | Using chemical and optical treatments to coat the ... | Phil Solomon | 1989/1994 | 16mm film | COLOR | SOUND | 17.5 mins | |
| Song 27: Part 1, My Mountain | Stan Brakhage | 1968 | 16mm film | COLOR | SILENT | 17.5 mins | ||
| Protective Coloration | This film is a succession of visual and aural "not... | Scott Stark | 1990 | 16mm film | COLOR | SOUND | 17.5 mins | |
|
Other Reckless Things | A response to a newspaper account of a self-inflic... | Janis Crystal Lipzin | 1984 | DVD-R | COLOR | SOUND | 17.5 mins |