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| Title | Description | Filmmaker | Year | Format | Color | Sound | Length | |
|---|---|---|---|---|---|---|---|---|
| Englewood Cottonwood | Pseudo-hyper-stereoscopic view of one tree over th... | James Otis | 1997 | 16mm film | COLOR | SILENT | 4 mins | |
| From the Family of Eggs | Eggs, mountains, thistles and ultimately a gloriou... | James Otis | 1984 | 16mm film | B&W | SILENT | 8 mins | |
| Gridrose | Computer generated. "With all the grace and flair ... | James Otis | 1981 | 16mm film | B&W | SILENT | 2 mins | |
| Hexes | Let's pretend that the friction between mono- and ... | James Otis | 1982 | 16mm film | COLOR | SILENT | 3 mins | |
|
Jacobs' Ladder | All is inevitably one. With the golden mean as see... | James Otis | 1981 | 16mm film | B&W | SILENT | 4 mins |
| No Art of Memory | Disturbing hints of the inexplicable clear their t... | James Otis | 1979 | 16mm film | COLOR | OPT | 3 mins | |
| Observations in Natural Philosophy | Variations on a theme from "Darwin in the Galapago... | James Otis | 1997 | 16mm film | COLOR | SILENT | 2 mins | |
|
On Your Own | Into my hands fell a 20-minute exhortation to find... | James Otis | 1981 | 16mm film | B&W | OPT | 2 mins |
| Rot Ligh | A terse alloyment of the elements shifts conscious... | James Otis | 1992 | 16mm film | COLOR | SILENT | 1 mins | |
| Toroidal Forest | One tree per frame, each from a different place on... | James Otis | 1981 | 16mm film | B&W | SILENT | 4 mins | |
| Triptych | A casting up off of hands ironically employs a com... | James Otis | 1980 | 16mm film | COLOR/B&W | OPT | 22 mins | |
|
Upper Blue Lake | Coming to grips with landscape via pseudo-hyper-st... | James Otis | 1996 | 16mm film | COLOR | SILENT | 12 mins |
| Vervielfaltigung | "Duplication [many-making] is in as much progress ... | James Otis | 1996 | 16mm film | B&W | OPT | 4 mins | |
| (the daily compromise of) My Enmeshment | In this poignant comedy about the pickle of incarn... | James Otis | 1999 | 16mm film | COLOR | SOUND | 7 mins | |
| We and I | This film I found and found I could not change wit... | James Otis | 2001 | 16mm film | B&W | SILENT | 8 mins | |
| Common Knowledge | Upbeat, fast-paced, crowd-pleasing investigation o... | James Otis | 2002 | 16mm film | COLOR | OPT | 2 mins | |
| And the Show Must Go On |
"Speech is the image of life." - Democritis Fil... |
Jerry Orr | 1989 | Super 8mm, 24 fps | COLOR | SOUND | 8 mins | |
| Behind the Noise | Classical nude as voyeur - the seen seeing the see... | Jerry Orr | 1987 | Super 8mm, 24 fps | COLOR | SOUND | 8 mins | |
| Carousel | A film etude composed by random numbers. The relat... | Jerry Orr | 1984 | Super 8mm, 24 fps | COLOR | SOUND | 3.5 mins | |
| Chance Hand | A. Random digits beget digital motion plus. This ... | Jerry Orr | 1984 | Super 8mm, 24 fps | B&W | SILENT | 3.5 mins |