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Results 1741 - 1760 of 3762
| Title | Description | Filmmaker | Year | Format | Color | Sound | Length | |
|---|---|---|---|---|---|---|---|---|
| Dead Day Display Note | Saul Levine | 16mm film, 18 fps | COLOR | SILENT | 5 mins | |||
| Light Lick: Pardes: Wild Blue Yonder | Saul Levine | 16mm film, 18 fps | COLOR | SILENT | 12 mins | |||
| Falling Notes Unleaving | Made almost fifty years after his debut film, Saul... | Saul Levine | 2013 | 16mm film, 18 fps | COLOR | SILENT | 13 mins | |
| Light Lick: Pardes: Night Time is the Right Time | Saul Levine | 16mm film, 18 fps | COLOR | SILENT | 5 mins | |||
| Light Lick: Pardes: Drowned Hat Rescue Media City Motown Jump | Saul Levine | 2014 | 16mm film, 18 fps | COLOR | SILENT | 5 mins | ||
| Breaking Time: Part 1: Mortgage on My Body | In the fall of 1977, I returned to the New Haven a... | Saul Levine | 1978-1983 | 16mm film, 18 fps | COLOR | SILENT | 23 mins | |
| Breaking Time: Part 2: Arrested | In the fall of 1977, I returned to the New Haven a... | Saul Levine | 1977-1983 | 16mm film, 18 fps | COLOR | SILENT | 4 mins | |
| Breaking Time: Part 3-4: Lien on My Soul and Portrait Not a Dream | In the fall of 1977, I returned to the New Haven a... | Saul Levine | 1978-1983 | 16mm film, 18 fps | COLOR | SILENT | 21 mins | |
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Light Lick: Amen | A stark portrait of my father at daily morning pra... | Saul Levine | 2017 | 16mm film, 18 fps | COLOR | SILENT | 5.5 mins |
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Habitat Batrachian | In this film we move away from the notion of a wor... | Rose Lowder | 2006 | 16mm film, 18 fps | COLOR | SILENT | 8.31 mins |
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Les Coquelicots (Poppies) |
Project at 18fps/silent speed Worn out by the s... |
Rose Lowder | 2000 | 16mm film, 18 fps | COLOR | SILENT | 2.7 mins |
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Voiliers et Coquelicots (Sailboats and Poppies) | Little is necessary for everything to appear diffe... | Rose Lowder | 2001 | 16mm film, 18 fps | COLOR | SILENT | 2.6 mins |
| Fuses | Filmed and edited by Schneemann; with herself, Jam... | Carolee Schneemann | 1967 | 16mm film, 18 fps | COLOR | SILENT | 29 mins | |
| Wintercourse | Discovered in summer of 1985, of a set of "haiku-i... | Paul Sharits | 1962 | 16mm film, 18 fps | B&W | SILENT | 12 mins | |
| Short Film Series | "Guy Sherwin's SHORT FILM SERIES which he undertoo... | Guy Sherwin | 1999 | 16mm film, 18 fps | B&W | SILENT | 33 mins | |
| A To Z | A cross-hatched family fantasy about nocturnal fur... | Michael Snow | 1956 | 16mm film, 18 fps | COLOR | SILENT | 7 mins | |
| Passage of the Bride, The | "Solomon's work - some of the best of contemporary... | Phil Solomon | 1980 | 16mm film, 18 fps | B&W | SILENT | 6 mins | |
| What's Out Tonight is Lost | The film began in response to an evaporating relat... | Phil Solomon | 1983 | 16mm film, 18 fps | COLOR | SILENT | 8 mins | |
| Where Did Our Love Go | Warhol Factory days ... serendipity visits, Janis... | Warren Sonbert | 1966 | 16mm film, 18 fps | COLOR | SOUND | 15 mins | |
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Invocation | "A temporary sculpture; an invitation and benedict... | Amy Halpern | 1982 | 16mm film, 18 fps | COLOR | SILENT | 2 mins |

