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Results 1781 - 1800 of 3902
| Title | Description | Filmmaker | Year | Format | Color | Sound | Length | |
|---|---|---|---|---|---|---|---|---|
|
Singing in Oblivion | "A magnificent visual and musical poem, simultaneo... | Eve Heller | 2021 | 35mm film | B&W | SOUND | 13 mins |
| Oneiro: In the Shadow of Isadora | "Oneiro means dream in Greek. This video is a drea... | Silvianna Goldsmith | 1987 | 3/4 Inch Video Tape | COLOR | SOUND | 14 mins | |
| St. Teresa | After Bernini's "Ecstasy": baroque excess and daz... | Gary Adlestein | 1983 | 16mm film, 18 fps | COLOR | SOUND | 4.5 mins | |
|
Georgia | "A perfect tone poem of a film - within its short ... | Gordon Ball | 1966 | 16mm film, 18 fps | COLOR | SILENT | 4 mins |
| Absence |
Super 8 Films The following films were all made... |
Stan Brakhage | 1976 | 16mm film, 18 fps | COLOR | SILENT | 6.5 mins | |
| Sexual Meditation #1: Motel | This film was originally photographed in 1970 in r... | Stan Brakhage | 1980 | 16mm film, 18 fps | COLOR | SILENT | 5 mins | |
| Songs 1-7 | After much technical difficulty and elaborate col... | Stan Brakhage | 1966 | 16mm film, 18 fps | COLOR | SILENT | 17 mins | |
| Songs 16-22 | SONG 16 - a flowering of sex as in the mind's eye,... | Stan Brakhage | 1966 | 16mm film, 18 fps | COLOR | SILENT | 23.5 mins | |
| Songs 8-14 | Sea creatures; wedding source and substance; sitti... | Stan Brakhage | 1966 | 16mm film, 18 fps | COLOR | SILENT | 19 mins | |
| Form Phases III | Different stages of paintings made with ink. The i... | Robert Breer | 1954 | 16mm film, 18 fps | COLOR | SILENT | 3.5 mins | |
| Form Phases I | The two-dimensionality of the painted and cut-out ... | Robert Breer | 1952 | 16mm film, 18 fps | COLOR | SILENT | 2 mins | |
| Killman | The adventures of an insidious fiend, whose chief ... | Herb De Grasse | 1966 | 16mm film, 18 fps | B&W | SILENT | 16 mins | |
|
17 Reasons Why |
16 fps or 18 fps 17 REASONS WHY was ph... |
Nathaniel Dorsky | 1987 | 16mm film, 18 fps | COLOR | SILENT | 19 mins |
|
Ariel | ARIEL is a highly energetic and colorful divertiss... | Nathaniel Dorsky | 1983 | 16mm film, 18 fps | COLOR | SILENT | 16 mins |
|
Hours for Jerome Part I | This footage was shot and edited from 1966 to 1970... | Nathaniel Dorsky | 1966-70/82 | 16mm film, 18 fps | COLOR | SILENT | 21 mins |
|
Hours for Jerome Part II | This footage was shot and edited from 1966 to 1970... | Nathaniel Dorsky | 1966-70/82 | 16mm film, 18 fps | COLOR | SILENT | 24 mins |
|
Pneuma | In Stoic philosophy "pneuma" is the "soul" or fier... | Nathaniel Dorsky | 1983 | 16mm film, 18 fps | COLOR | SILENT | 28 mins |
|
Triste | TRISTE is an indication of the level of cinema lan... | Nathaniel Dorsky | 1996 | 16mm film, 18 fps | COLOR | SILENT | 18.5 mins |
|
Alaya | Sand, wind, and light intermingle with the emulsio... | Nathaniel Dorsky | 1987 | 16mm film, 18 fps | COLOR | SILENT | 28 mins |
|
Variations | VARIATIONS blossomed forth while shooting addition... | Nathaniel Dorsky | 1998 | 16mm film, 18 fps | COLOR | SILENT | 24 mins |