New Films
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Now Available: Three New Films by Nathaniel Dorsky
Now available from Canyon Cinema: Three new 16mm portrait films by Nathaniel Dorsky, including: Caracole (for Izcali) (2023, 17.5 minutes, color, sound, 16mm, 18fps) In the last few years I have been making a series of cinematic portraits of young filmmaking friends acting as collaborators in portraiture. There is always a surprise as to what the […]
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Now Available: Stephanie Barber’s Another Horizon
Another Horizon (Stephanie Barber, 2020, 9 minutes, color, sound, 16mm) the horizon, where the sky and the earth meet, is always elsewhere, is a promised place where these two elements come together. a metaphor, an orienting, a promise of transition, change, transcendence. a place where the corporeal and spiritual meet, or are cleaved apart. here, […]
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Now Available: 20 Films + 3 Digital Videos by Amy Halpern
Canyon Cinema is thrilled to announce the acquisition of 23 films and videos by longtime artist member Amy Halpern, all of which are new to Canyon’s collection. Highlights of this major deposit, spanning 50 years of Halpern’s career, include the early suite Opus I (Three Preparations / A Glance / Peach Landscape) (1972-73); 1978’s Cigarette […]
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Now Available: Four New Films from Nathaniel Dorsky
Now available from Canyon Cinema: Four new 16mm films by Nathaniel Dorsky made over the past year, including: Place d’Or (2023, 10 minutes, color, silent, 16mm, 18fps) A rainy autumn afternoon at North Lake in Golden Gate Park. Perhaps the “Square of Gold” is also the screen itself. – N.D. Dialogues (2022, 17.5 minutes, color, silent, 16mm, […]
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Now Available: Abigail He’s Measuring 500 Feet
Measuring 500 Feet (Abigail He, 2021, 14 minutes, b&w, silent, 16mm) Medium: 16mm filmDimensions: 500 ft. x 5/8 in. x 1/128 in. (15240 x 1.6 x .02 cm) overall: 547 ft. x 5/8 in. x 1/128 in. (16672.6 x 1.6 x .02 cm)
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Now Available: Four New Titles from Raymond Rea
Canyon Cinema is pleased to announce the availability of four new titles from Raymond Rea. A filmmaker and writer, Rea’s work often challenges assumptions, hints at theatricality, and uses a raw LoFi aesthetic to address complexities. His films have screened widely including at the Ann Arbor Film Festival; Light Field, San Francisco; San Francisco International […]
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Now Available: Louise Bourque’s Bye Bye Now
Bye Bye Now (2022, 9.5 minutes, color, sound, 35mm or DCP) The very gesture of waving HELLO to the movie camera in itself (re)presents a recurring GOODBYE to a fleeting moment. Made in homage to my father, this film traces past lives lived in these personal 8mm family archives he left me.
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New Artist Member: Margaret Rorison
Canyon Cinema is pleased to welcome the Baltimore-based filmmaker, projectionist, educator, and curator Margaret Rorison to the collection! Rorison’s work aims to support and preserve contemporary filmmakers and film culture. Her current work focuses on portraiture, memory, and the precarity and beauty of nature. Her work has been exhibited at Anthology Film Archives, Miami PULSE […]
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New Artist Members: John and James Whitney
Canyon Cinema is thrilled to welcome the films of John and James Whitney to the collection! John Whitney (1917-1995) is considered one of the fathers of computer animation. His works include the opening title sequence from Alfred Hitchcock’s film Vertigo (1958), which is a collaboration work with Saul Bass; Catalogue (1961), assembled record of visual […]
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New Artist Member: Malic Amalya
Canyon Cinema is pleased to welcome the Boston-based filmmaker Malic Amalya to the collection! Malic Amalya (b. 1980 – Burlington, VT) is a white, transgender filmmaker working across 16mm, video, and performance. His films are situated between formal avant-garde traditions, the anti-assimilation subculture of queercore, and intersectional feminism. His creative framework is informed by prison […]