New Acquisitions
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Now available: Void Vision by Alexander Stewart
Alexander Stewart’s short films have screened internationally, including at the International Film Festival Rotterdam and Image Forum in Japan. He is a co-founder of the Eyeworks Festival of Experimental Animation and teaches in the Experimental Animation program at CalArts. Void Vision (2018 | 8 minutes | COLOR | SOUND) VOID VISION is an abstract science-fiction […]
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Now available: new work and new digital exhibition files from Janis Crystal Lipzin
Janis Crystal Lipzin has been called “one of the key American media artist of this era” and has been making art in virtually every form of reproducible media for nearly forty years. Lipzin taught Film and Interdisciplinary Studies at the renowned San Francisco Art Institute from 1978 to 2009 where she served as Chair of the prominent […]
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New consignment DVDs from Re:Voir
Re:Voir publishes beautiful DVD editions of classic and contemporary experimental cinema, with the goal of introducing the broadest possible audience to rare, under-seen, and important artist-made films. Canyon Cinema is an American distributor of Re:Voir releases, and we are pleased to share work by Patrick Bokanowski, Stephen Dwoskin, Anne Maregiano, François Miron, Suzan Pitt, Jürgen […]
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Now available: additional Jonathan Schwartz prints
Jonathan Schwartz (1973-2018) was a filmmaker, teacher, and source of inspiration for all his friends and students. Jonathan incorporated found and collected materials in many of his films, and simultaneously developed his unique 16mm vision through intimate exchanges with his subjects, handheld gestures, in-camera superimpositions, and a profound attention to the transient qualities of the […]
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Newly available Robert Todd prints and files
Robert Todd (1963-2018) was a profoundly creative and compassionate person who expressed raw emotion through the medium of film. He was a prolific filmmaker, a dedicated mentor and educator, a painter of dark wonders, and a musical prodigy. His cinema had a profound influence on the international experimental film community, embracing the deep complexity of […]
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Now available: seventeen exhibition files from Jon Behrens
Jon Behrens is a Seattle-based filmmaker, curator, photographer, sound manipulator and teacher. Seventeen of his films, produced between 1993 and 2018, are now available to rent as digital files from Canyon Cinema. Light Coins (2018 | 4 minutes | COLOR | SOUND) This film is a collaboration between myself, Caryn Cline and Luke Sieczek. We made […]
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Now available: six exhibition files from Sandra Davis
For all its tactility and materiality, filmmaker Sandra Davis’ use of 16mm film is rarely left a question of form. Throughout a body of work produced from the late 1970s through the present – an oeuvre at once intimate and elusive – Davis has repeatedly returned to physicality and touch as key themes activated by […]
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Celebrating Jonathan Schwartz
The filmmaker Jonathan Schwartz passed away in October 2018, leaving behind a remarkable and intimate body of work that registers the sorrow, love, despair, and exultation of lived existence. Canyon Cinema will distribute all of Schwartz’s work, ensuring that his gestural, evanescent and deeply necessary works will continue to find new audiences. To see a complete […]
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Six new films from Lynne Sachs
Film essayist Lynne Sachs continues to work prolifically, with six new films now available, including Carolee, Barbara & Gunvor, a portrait of Schneeman, Hammer, and Nelson; The Washing Society, which documents labor in New York City laundromats; and Tip of My Tongue, a “collective distillation of our times” occasioned by the filmmaker’s 50th birthday. Digital […]
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New films: Breathing (35mm) and What Goes Up…
Trust us: watching Robert Breer’s Breathing in 35mm is a breathtaking experience. Forty years separate the film from What Goes Up…, his last work–and one of his most touching. Book them both from Canyon. What Goes Up… (2003 | 5.5 minutes | COLOR | SOUND) “Robert Breer’s final film represents his characteristic dynamic collage sensibility at […]

