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| Title | Description | Filmmaker | Year | Format | Color | Sound | Length | |
|---|---|---|---|---|---|---|---|---|
| Analytic Studies IV: Blank Color Frames | Contains: 1. Specimen II 2. Specimen III 3. Specim... | Paul Sharits | 1976 | 16mm film | COLOR | SILENT | 15 mins | |
| Bad Burns | Two reels of mis-takes in shooting Part II of 3RD ... | Paul Sharits | 1982 | 16mm film | COLOR | SILENT | 5 mins | |
|
Epileptic Seizure Comparison |
"Beauty shall be convulsive." - Andre Breton Pr... |
Paul Sharits | 1976 | 16mm film | COLOR | SOUND | 30 mins |
|
N:O:T:H:I:N:G | Based, in part, on the Tibetan Mandala of the Five... | Paul Sharits | 1968 | 16mm film | COLOR | SOUND | 36 mins |
| Piece Mandala/ End War | Blank color frequencies space out and optically fe... | Paul Sharits | 1966 | 16mm film | COLOR/B&W | SILENT | 5 mins | |
|
Ray Gun Virus | Although affirming projector, projection beam, scr... | Paul Sharits | 1966 | 16mm film | COLOR | SOUND | 14 mins |
|
S:Stream:S:S:ection:S:ection:S:S:ectioned | A conceptual lap dissolve from "water currents" to... | Paul Sharits | 1971 | 16mm film | COLOR | SOUND | 42 mins |
| Tails | A series of tail ends of varied strips of film, wi... | Paul Sharits | 1976 | 16mm film | COLOR | SILENT | 3 mins | |
| Word Movie (Flux Film 29) | Approximately 50 words visually "repeated" in vary... | Paul Sharits | 1966 | 16mm film | COLOR | SOUND | 4 mins | |
| Beat It | "What, rubber moles? Elizabeth Sher's exercise in ... | Elizabeth Sher | 1981 | 16mm film | COLOR | OPT | 4 mins | |
| Juggling | A harried young mother, played by Sue White, forme... | Elizabeth Sher | 1982 | 16mm film | COLOR | OPT | 14 mins | |
| Too Young | Taking off where Brooke Shields left us in her Cal... | Elizabeth Sher | 1982 | 16mm film | COLOR | OPT | 3 mins | |
| Training, The | A satirical re-enactment of the behavior modificat... | Elizabeth Sher | 1979 | 16mm film | B&W | MAG | 8 mins | |
| Wash It | Low Riders get squeaky clean at the drive-through ... | Elizabeth Sher | 1982 | 16mm film | COLOR | OPT | 6 mins | |
| Adobe Noise |
A residue of a Southwest landscape. "The stream... |
David Sherman | 1987 | 16mm film | COLOR | SILENT | 5 mins | |
|
Revolver | REVOLVER incorporates diary observations, found an... | David Sherman | 1993 | 16mm film | COLOR | SOUND | 9 mins |
| Tuning the Sleeping Machine | "TUNING THE SLEEPING MACHINE maintains a dreamy os... | David Sherman | 1996 | 16mm film | COLOR | OPT | 13 mins | |
|
Silver Returns, The | A chemical Western in 16mm whose primitive process... | David Sherman | 2001 | 16mm film | COLOR | OPT | 22 mins |
| Black-Eyed Susan (Portrait of an Actress) | Camera/Lighting: Michael Falasco; Editing: Suzanne... | Stuart Sherman | 1989 | 16mm film | COLOR | OPT | 9 mins | |
| Liberation (Portrait of Berenice Reynaud) |
(no description) ... |
Stuart Sherman | 1993 | 16mm film | COLOR | OPT | 8 mins |