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| Title | Description | Filmmaker | Year | Format | Color | Sound | Length | |
|---|---|---|---|---|---|---|---|---|
|
Pear Tree | This Super 8 film is comprised of 4 second real ti... | John Woodman | 1977-81 | Digital File | COLOR | SILENT | 14 mins |
|
Spider | A hand held 16mm camera was framed and focussed on... | John Woodman | 1979 | Digital File | COLOR | SILENT | 11 mins |
|
Time Flow | TIME FLOW is a two screen projection (now in digit... | John Woodman | 1977 | Digital File | COLOR | SILENT | 11 mins |
|
Separation, The | The Separation is a reflection on light, du... | John Woodman | 2016 | Digital File | COLOR | SILENT | 6 mins |
| Thoughtless | A handmade paint/scratch/letraset etc. film made w... | Rock Ross | 2002 | 16mm film, 18 fps | COLOR | SILENT | 4 mins | |
|
Los Angeles Station | Portrait of a small community living by the railro... | Leandro Katz | 1970/76 | Digital File | COLOR | SILENT | 10 mins |
| Elements | "Elements refers not only to the natural elements,... | Jim Jennings | 2003 | 16mm film | B&W | SILENT | 7 mins | |
| Fashion Avenue | "Filmed in New York's Garment District, Fashion Av... | Jim Jennings | 2007 | 16mm film | B&W | SILENT | 7 mins | |
| Made in Chinatown | "I met Jim with Henry (Hills) and Vincent (Grenier... | Jim Jennings | 2005 | 16mm film | COLOR | SILENT | 7 mins | |
| Refraction | "In Refraction, the camera is set so that t... | Jim Jennings | 1972 | 16mm film, 18 fps | COLOR | SILENT | 4 mins | |
| Wall Street | "Shot at high noon in New York's financial distric... | Jim Jennings | 1980 | 16mm film, 18 fps | B&W | SILENT | 6 mins | |
| Balancing | Jim Jennings | 2002 | 16mm film | B&W | SILENT | 7 mins | ||
| Bruges | "Bruges depicts life in a hotel room in a q... | Jim Jennings | 2007 | 16mm film | B&W | SILENT | 6 mins | |
| Canal Cinema | "Canal Cinema relates the 'magical moments'... | Jim Jennings | 1983 | 16mm film, 18 fps | COLOR | SILENT | 8 mins | |
| City Opera | "Shot during a stay in San Francisco, Jennings' fi... | Jim Jennings | 2000 | 16mm film | COLOR | SILENT | 9 mins | |
| Close Quarters | "It's possible that I am overvaluing this film, al... | Jim Jennings | 2000 | 16mm film | B&W | SILENT | 9 mins | |
| Counterpane | Projection note: Film can be projected at 16fps or... | Jim Jennings | 1979 | 16mm film, 18 fps | COLOR | SILENT | 5 mins | |
| Greenpoint | "Jim Jennings' Greenpoint is a rapturous an... | Jim Jennings | 2007 | 16mm film | COLOR | SILENT | 7 mins | |
| Impossible Love | "The title Impossible Love suggests the mir... | Jim Jennings | 2001 | 16mm film | COLOR/B&W | SILENT | 10 mins | |
| Interior | "Shot in a Queens, New York apartment, Interior... | Jim Jennings | 2001 | 16mm film | COLOR | SILENT | 9 mins |