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| Title | Description | Filmmaker | Year | Format | Color | Sound | Length | |
|---|---|---|---|---|---|---|---|---|
|
Dialogues |
The ever-presence of death. - N.D. ... |
Nathaniel Dorsky | 2022 | 16mm film, 18 fps | COLOR | SILENT | 17.5 mins |
|
Pavane | How often and varied we come upon ourselves in thi... | Nathaniel Dorsky | 2023 | 16mm film, 18 fps | COLOR | SILENT | 11.5 mins |
|
Caracole (for Izcali) | In the last few years I have been making a series ... | Nathaniel Dorsky | 2023 | 16mm film, 18 fps | COLOR | SILENT | 17.5 mins |
|
Caracole (for Cecilia) | Caracole (for Cecilia) is the first in a br... | Nathaniel Dorsky | 2019 | 16mm film, 18 fps | COLOR | SILENT | 4 mins |
|
O Death | In the spirit of the times and my own growing olde... | Nathaniel Dorsky | 2023 | 16mm film, 18 fps | COLOR | SILENT | 5 mins |
|
Trepanations | A film made up of various kinds of correspondence ... | Janis Crystal Lipzin | 1983 | Digital File | COLOR | SOUND | 19 mins |
|
In the Stone House | IN THE STONE HOUSE, as a project, spans my lifetim... | Jerome Hiler | 2012 | 16mm film, 18 fps | COLOR/B&W | SILENT | 35 mins |
|
99 Clerkenwell Road | Filmed in an empty shop, the remaining features of... | Sophie Michael | 2010 | 16mm film | COLOR | SILENT | 8 mins |
|
Look Park - Ralph Steiner |
LOOK PARK (1973-74) Ralph Steiner "Photographer... |
1973-1974 | Digital File | COLOR/B&W | SOUND | 11 mins | |
| Made in Chinatown | "I met Jim with Henry (Hills) and Vincent (Grenier... | Jim Jennings | 2005 | 16mm film | COLOR | SILENT | 7 mins | |
| Wall Street | "Shot at high noon in New York's financial distric... | Jim Jennings | 1980 | 16mm film, 18 fps | B&W | SILENT | 6 mins | |
| Silk Ties | "Jennings' latest is a dense chiaroscuro NYC citys... | Jim Jennings | 2006 | 16mm film | B&W | SILENT | 10 mins | |
|
Threnody | THRENODY is a somber but luminous progression thro... | Nathaniel Dorsky | 2004 | 16mm film, 18 fps | COLOR | SILENT | 25 mins |
| Chartres Series | A year and a half ago the filmmaker Nick Dorsky, h... | Stan Brakhage | 1994 | 16mm film | COLOR | SILENT | 8.5 mins | |
|
17 Reasons Why |
16 fps or 18 fps 17 REASONS WHY was ph... |
Nathaniel Dorsky | 1987 | 16mm film, 18 fps | COLOR | SILENT | 19 mins |
|
Ariel | ARIEL is a highly energetic and colorful divertiss... | Nathaniel Dorsky | 1983 | 16mm film, 18 fps | COLOR | SILENT | 16 mins |
|
Fall Trip Home, A | The second in the trilogy, it is less a psychodram... | Nathaniel Dorsky | 1964 | 16mm film | COLOR | SOUND | 11 mins |
|
Hours for Jerome Part I | This footage was shot and edited from 1966 to 1970... | Nathaniel Dorsky | 1966-70/82 | 16mm film, 18 fps | COLOR | SILENT | 21 mins |
|
Hours for Jerome Part II | This footage was shot and edited from 1966 to 1970... | Nathaniel Dorsky | 1966-70/82 | 16mm film, 18 fps | COLOR | SILENT | 24 mins |
| Ingreen | The first of three films depicting the emergence f... | Nathaniel Dorsky | 1964 | 16mm film | COLOR | OPT | 12 mins |