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Results 1101 - 1120 of 3701
| Title | Description | Filmmaker | Year | Format | Color | Sound | Length | |
|---|---|---|---|---|---|---|---|---|
|
Near Windows |
Originally Super 8. Nearby windows frame and il... |
Ken Paul Rosenthal | 1997 | 16mm film | COLOR | SILENT | 12 mins |
|
Blackbirds | Televised footage of the Rodney King/Reginald Denn... | Ken Paul Rosenthal | 1998 | 16mm film | COLOR | OPT | 9 mins |
|
I My Bike | A cinepoem that traces the conflict between urban ... | Ken Paul Rosenthal | 2002 | 16mm film | COLOR | OPT | 5 mins |
| Film/Speaks/ Many/Languages | 39 fragments of an Indian feature film with French... | Gustav Deutsch | 1995 | 16mm film | COLOR | SOUND | 1 mins | |
| Eyewitnesses in Foreign Countries |
In cooperation with Mostafa Tabbou / Morocco. A... |
Gustav Deutsch | 1993 | 16mm film | COLOR | MAG | 33 mins | |
| Searching for My Mother's Garden | SEARCHING FOR MY MOTHER'S GARDEN has been describe... | Milada Kovacova | 1992 | 16mm film | COLOR | OPT | 12 mins | |
| Skin Flick | "As a textural surface, skin becomes the privilege... | Milada Kovacova | 1991 | 16mm film | COLOR | OPT | 9 mins | |
|
Critical Mass | Shot on Super 8 and blown up to 16mm for a dreamli... | John Cannizzaro | 1996 | Digital File | COLOR | SOUND | 50 mins |
|
Let Me Try To Explain | Made for Los Angeles' Flicker's "Attack of the 50 ... | John Cannizzaro | 2010 | Digital File | COLOR | SOUND | 2.5 mins |
|
Fountain of Youth | The last home movie. Shot on the now discontinued ... | John Cannizzaro | 2006 | Digital File | COLOR | SOUND | 13 mins |
| Ash and Apple | Alternating between two cameras three feet apart, ... | James Otis | 1994 | 16mm film | COLOR | SILENT | 2 mins | |
| Ein Baum fur die Engelmanner | "A Tree for the Angel-men." One tree one afternoon... | James Otis | 1976 | 16mm film | COLOR | SILENT | 2 mins | |
| Calypso's Cloak |
Linda Messenger Distad as Calypso/Melete. The f... |
James Otis | 1986 | 16mm film | COLOR | OPT | 2.5 mins | |
| Easter Blues | A delicate window study. "Outside, spring had come... | James Otis | 1996 | 16mm film | COLOR | SILENT | 4 mins | |
| Englewood Cottonwood | Pseudo-hyper-stereoscopic view of one tree over th... | James Otis | 1997 | 16mm film | COLOR | SILENT | 4 mins | |
| Hexes | Let's pretend that the friction between mono- and ... | James Otis | 1982 | 16mm film | COLOR | SILENT | 3 mins | |
| No Art of Memory | Disturbing hints of the inexplicable clear their t... | James Otis | 1979 | 16mm film | COLOR | OPT | 3 mins | |
| Observations in Natural Philosophy | Variations on a theme from "Darwin in the Galapago... | James Otis | 1997 | 16mm film | COLOR | SILENT | 2 mins | |
| Rot Ligh | A terse alloyment of the elements shifts conscious... | James Otis | 1992 | 16mm film | COLOR | SILENT | 1 mins | |
| Upper Blue Lake | Coming to grips with landscape via pseudo-hyper-st... | James Otis | 1996 | 16mm film | COLOR | SILENT | 12 mins |