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| Title | Description | Filmmaker | Year | Format | Color | Sound | Length | |
|---|---|---|---|---|---|---|---|---|
|
Wax Experiments |
Project at 16 or 18 fps if possible. Th... |
Oskar Fischinger | 1921-26 | 16mm film | COLOR | SILENT | 9 mins |
| Muratti Marches On (Muratti greift ein!) | Music: Bayer's "Doll Fairy." A commercial for Mura... | Oskar Fischinger | 1934 | 16mm film | COLOR | OPT | 3 mins | |
| Apple Summer | Downeast Maine camping with friends evolved into a... | Holly Fisher | 1974 | Digital File | COLOR | SOUND | 24 mins | |
| Chickenstew | One of the few films I've preconceived before shoo... | Holly Fisher | 1978 | Digital File | COLOR | SOUND | 11 mins | |
| From The Ladies | Filmed in the multiple-mirrored women's powder roo... | Holly Fisher | 1977 | Digital File | COLOR | SOUND | 20 mins | |
| Glass Shadows | Shadows is a sensual formalistic diary, fil... | Holly Fisher | 1976 | Digital File | COLOR | SOUND | 13.5 mins | |
| Soft Shoe | Optical printing links East with West within a mos... | Holly Fisher | 1987 | Digital File | COLOR | SOUND | 21 mins | |
| This Is Montage | Inspired by a passage from Sergei Eisenstein's ... | Holly Fisher | 1978 | Digital File | COLOR | SILENT | 7 mins | |
| A Question of Sunlight | Recorded in the shadow of the Trade Towers only mo... | Holly Fisher | 2019 | Digital File | COLOR | SOUND | 82 mins | |
| 2 x 2 | 2 x 2 came about by chance when I arbitrari... | Holly Fisher | 2016 | Digital File | COLOR | SOUND | 32 mins | |
| Bullets for Breakfast | "... with the beauty of early Rauschenberg but wit... | Holly Fisher | 1992 | Digital File | COLOR | SOUND | 77 mins | |
| Deafening Silence | "Deafening Silence is a fusion of beauty an... | Holly Fisher | 2012 | Digital File | COLOR | SOUND | 118 mins | |
| Here Today Gone Tomorrow (aka Rushlight) | Here Today Gone Tomorrow (aka Rushlight) wa... | Holly Fisher | 1984 | Digital File | COLOR | SILENT | 54 mins | |
| Accursed Mazurka | Obsessive journal entries, clinical reports, varie... | Nina Fonoroff | 1994 | 16mm film | COLOR | OPT | 40 mins | |
| Big Story | Through an assortment of traveling mattes, ellipse... | Nina Fonoroff | 1984 | 16mm film | COLOR | OPT | 10 mins | |
| Knowledge They Cannot Lose, A | The film concerns the death of my father and the w... | Nina Fonoroff | 1989 | Super 8mm, 24 fps | COLOR | MAG | 17 mins | |
| Some Phases of an Empire | Using footage rephotographed from the Hollywood sp... | Nina Fonoroff | 1984 | Super 8mm, 24 fps | COLOR | MAG | 9 mins | |
|
Rules of the Road | RULES OF THE ROAD takes a searching look at how ou... | Su Friedrich | 1993 | 16mm film | COLOR | OPT | 31 mins |
| Second Skin | SECOND SKIN is a 16-minute experimental film that ... | Paula M. Froehle | 1991 | 16mm film | COLOR | OPT | 16 mins | |
| Spitting Image | SPITTING IMAGE is a three-minute experimental fil... | Paula M. Froehle | 1992 | 16mm film | COLOR | OPT | 3 mins |