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| Title | Description | Filmmaker | Year | Format | Color | Sound | Length | |
|---|---|---|---|---|---|---|---|---|
| Western History | A thumbnail History of the Western World, all cent... | Stan Brakhage | 1971 | 16mm film | COLOR | SILENT | 8 mins | |
|
Westinghouse Works Panorama Views - G.W. "Billy" Bitzer |
2 films: Panorama View Street Car Motor Room, Wes... |
1904 | Digital File | B&W | SILENT | 6 mins | |
| What Am I Doing Here | What Am I Doing Here is a reworking of a performan... | Jean Sousa | 1978 | 16mm film | COLOR | SILENT | 20 mins | |
| What Do Two Rights Make? | "The final work from Pasadena's venerable filmmake... | Sara Kathryn Arledge | 1983 | 16mm film | COLOR | SOUND | 15 mins | |
|
What Farocki Taught | A Stubborn film, containing a perfect replica, sho... | Jill Godmilow | 1998 | 16mm film | COLOR | OPT | 30 mins |
|
What Goes Around | The paths of two strangers intersect at a remote r... | Toney W. Merritt | 1999-2007 | Digital File | COLOR | SOUND | 25 mins |
|
What Goes Up.... | "Robert Breer's final film represents his characte... | Robert Breer | 2003 | 16mm film | COLOR | SOUND | 5.5 mins |
|
What is a Man | "Imagery and dialogue stimulated by Finnegan's Wak... | Sara Kathryn Arledge | 1958 | 16mm film | COLOR | SOUND | 10 mins |
|
What Memphis Needs | Contrasting the black and white cultures of Memphi... | Alexis Krasilovsky | 1991 | Digital File | COLOR | SOUND | 6 mins |
|
What the Water Said Nos 1-3 | The result of a series of camera-less collaboratio... | David Gatten | 1998 | Digital File | B&W | OPT | 16 mins |
|
What the Water Said, Nos. 4-6 | In this final installment of a nine-year project d... | David Gatten | 2006-2007 | Digital File | COLOR | SOUND | 17 mins |
|
What These Ashes Wanted |
Music by Tucker Zimmerman 'What these ashes wan... |
Philip Hoffman | 2001 | Digital File | COLOR | OPT | 55 mins |
|
What's Good Bruce? | A critique of the phenomenology of the studio spac... | Paige Taul | 2018 | Digital File | B&W | SOUND | 4 mins |
| What's Left is Wind | An elegy, this is a poetic film about the dissolut... | J. Leighton Pierce | 1988 | 16mm film | COLOR | OPT | 4 mins | |
| What's Out Tonight is Lost | The film began in response to an evaporating relat... | Phil Solomon | 1983 | 16mm film, 18 fps | COLOR | SILENT | 8 mins | |
|
What's This? |
An ecological statement of sorts. ... |
Toney W. Merritt | 1973 | Digital File | COLOR | SILENT | 2 mins |
| What's Wrong with This Picture 1 | "The first portion of this film is an old instruct... | Owen Land | 1972 | 16mm film | B&W | OPT | 6 mins | |
| What's Wrong With This Picture 2 | "The first portion of this film is an old instruct... | Owen Land | 1972 | 16mm film | COLOR | OPT | 5 mins | |
|
What, Who, How | An animated collage film, a landmark in the beginn... | Stan VanDerBeek | 1957 | Digital File | B&W | SOUND | 7 mins |
|
Wheeeels No. 2 | Dedicated to Detroit and subtitled "America on Whe... | Stan VanDerBeek | 1958 | Digital File | B&W | SOUND | 5 mins |