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| Title | Description | Filmmaker | Year | Format | Color | Sound | Length | |
|---|---|---|---|---|---|---|---|---|
| Video Journal II (From Grandma's House to Bar Mitzvah) | Video autobiography from age six to thirteen. Scen... | Bill Creston | 1972 | VHS NTSC | B&W | SOUND | 60 mins | |
| Selections from the European Journals | Excerpts from footage shot with a black and white ... | Bill Creston | 1974 | VHS NTSC | B&W | SOUND | 120 mins | |
| Kelsey | KELSEY: A video portrait of artist, madman and str... | Bill Creston | 1972 | VHS NTSC | B&W | SOUND | 105 mins | |
|
8 Million | Director, Producer, Editor, Camera: Abigail Child;... | Abigail Child | 1992 | VHS NTSC | COLOR/B&W | SOUND | 25 mins |
| Ziveli: Medicine for the Heart | Produced by Les Blank. Edited by Maureen Gosling.\... | Les Blank | 1987 | VHS NTSC | COLOR | SOUND | 51 mins | |
| Salute | SALUTE, the first installment of Bruce Baillie's p... | Bruce Baillie | 1999 | VHS NTSC | 20 mins | |||
| Some Phases of an Empire | Using footage rephotographed from the Hollywood sp... | Nina Fonoroff | 1984 | Super 8mm, 24 fps | COLOR | MAG | 9 mins | |
| Knowledge They Cannot Lose, A | The film concerns the death of my father and the w... | Nina Fonoroff | 1989 | Super 8mm, 24 fps | COLOR | MAG | 17 mins | |
| Runner | A film consisting primarily of rapid segments shot... | Bill Creston | 1981 | Super 8mm, 24 fps | COLOR | SOUND | 18 mins | |
| I Saw Where You Was Last Night | A 14-minute S8mm film which extends the ranges of ... | Bill Creston | 1984 | Super 8mm, 24 fps | COLOR | SOUND | 14 mins | |
| Un Film Terrible | I have combined, hand-colored, and scratched orig... | Alfonso Alvarez | 1985 | Super 8mm, 24 fps | COLOR/B&W | SILENT | 2.5 mins | |
| Motel 6 (Not A Thriller) | June '87: coming back from a Grateful Dead show at... | Alfonso Alvarez | 1988 | Super 8mm, 24 fps | COLOR | SILENT | 5 mins | |
| Looking In, Looking Out | I have combined films of various stocks over a per... | Alfonso Alvarez | 1986-8 | Super 8mm, 24 fps | COLOR/B&W | SILENT | 5 mins | |
| City City, Day Night | At one time I had a job driving in San Francisco.... | Alfonso Alvarez | 1988 | Super 8mm, 24 fps | B&W | SILENT | 5 mins | |
| Shadow Knows, The | "A brilliant Super 8 poem of seductive, transient ... | Jerry Orr | 1989 | Super 8mm, 24 fps | COLOR | SOUND | 12 mins | |
|
Bottle Can by Luther Price |
If I lived a thousand years ago I'd probably be r... |
Luther Price | 1993 | Super 8mm, 24 fps | COLOR | SOUND | 20 mins |
|
FF | FF is around three years' worth of collected foota... | Julie Murray | 1986 | Super 8mm, 24 fps | COLOR | SOUND | 10 mins |
| Expulsion | EXPULSION is a combination of live and found foota... | Julie Murray | 1989 | Super 8mm, 24 fps | COLOR | SOUND | 9 mins | |
| Kres | Kres is a sparkling film of a fire that my father ... | Andrej Zdravic | 1986 | Super 8mm, 24 fps | COLOR | OPT | 6 mins | |
|
Fades and Close-Ups | "...was shot in black and white Super 8mm and is a... | Robert Huot | 1978 | Super 8mm, 24 fps | B&W | MAG | 8 mins |