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| Title | Description | Filmmaker | Year | Format | Color | Sound | Length | |
|---|---|---|---|---|---|---|---|---|
|
Parcelle | Composed frame by frame in the camera, Parcelle (f... | Rose Lowder | 1979 | 16mm film | COLOR | SILENT | 3 mins |
|
Les tournesols colorés | Les tournesols colorés is derived from the same fo... | Rose Lowder | 1983 | 16mm film | COLOR | SILENT | 3 mins |
| Color Cry | Inspired by Man Ray's "shadowcast" experiments, Le... | Len Lye | 1952 | COLOR | OPT | 3 mins | ||
| Hurry! Hurry! |
Experimental soundtrack: continuous bombardment. ... |
Marie Menken | 1957 | 16mm film | COLOR | OPT | 3 mins | |
|
Three Masked Pieces | Another series of self portraits where I poke fun ... | Toney W. Merritt | 1979 | Digital File | COLOR | SILENT | 3 mins |
|
Welcome to the House of Raven |
A dance. When magic is a verb. The Beginning of ... |
Toney W. Merritt | 1997 | Digital File | B&W | SOUND | 3 mins |
|
At Eden's Heart |
Eden, a place of pristine, natural beauty. ... |
Toney W. Merritt | 2021 | Digital File | B&W | SOUND | 3 mins |
| Preview | "Murphy combines several kinds of imagery (footage... | J.J. Murphy | 1980 | 16mm film | COLOR | SOUND | 3 mins | |
| Flash | A difference between black and white. My most popu... | Lyle Pearson | 16mm film | B&W | OPT | 3 mins | ||
| Grand Canary, The | I kept wanting to call this THE BIG CANARY, faceti... | Lyle Pearson | 16mm film | COLOR | OPT | 3 mins | ||
| Lackluster |
Credits: Lyle Pearson and Noel Clayton. The fou... |
Lyle Pearson | 16mm film | COLOR | OPT | 3 mins | ||
| Meanwhile |
Two parts: One - an intense survey of my room, ... |
Lyle Pearson | 16mm film | B&W | OPT | 3 mins | ||
| Secret of Quetzacotal |
Credits: Lyle Pearson and Jerry Rodgers. The hi... |
Lyle Pearson | 16mm film | COLOR | OPT | 3 mins | ||
| Bright | An animated film setting forth a way of viewing th... | Philip Perkins | 1976 | 16mm film | COLOR | OPT | 3 mins | |
| The Story of AARGH-X (Part One) | A wild main, raised by wolves. A woman of adventur... | Thad Povey | 1997 | 16mm film | COLOR | SOUND | 3 mins | |
|
Study In Natural Magic, A |
Hand processed, January 2013 Witness an alchemi... |
Charlotte Pryce | 2013 | 16mm film | COLOR | SILENT | 3 mins |
|
Prima Materia |
Hand Processed. Delicate threads of energy spiral... |
Charlotte Pryce | 2015 | Digital File | COLOR | SILENT | 3 mins |
| Why Are We Here | Starring MX-80 Sound. Directed by Graeme Whifler.\... | Ralph Records, aka Cryptic Corporation | 1981 | 16mm film | COLOR | SOUND | 3 mins | |
| Study in Diachronic Motion | A first experiment in diachronic motion: the simul... | Peter Rose | 1975 | 16mm film | COLOR | SILENT | 3 mins | |
|
Small Ones, The | During World War II, the United States Army hired ... | Lynne Sachs | 2006 | Digital File | COLOR | SOUND | 3 mins |