Search Results
Edit Search Options »
Results 3781 - 3800 of 3840
| Title | Description | Filmmaker | Year | Format | Color | Sound | Length | |
|---|---|---|---|---|---|---|---|---|
| Pink Venise I Like | A continuation of some of the concerns of my ITAL... | Gary Adlestein | 1989 | Super 8mm, 18 fps | COLOR | SOUND | 11.5 mins | |
| S-8 Diaries: 1987/89 | LA 3/87, sync. sound memento of West Coast visit ... | Gary Adlestein | 1989 | Super 8mm, 18 fps | COLOR | SOUND | 11 mins | |
| Spring/Fall Cinesongs: For Storm De Hirsch | An homage to Storm De Hirsch (one of the pioneers... | Gary Adlestein | 1990 | Super 8mm, 18 fps | COLOR | SOUND | 11 mins | |
| Stone Harbor/Forsythia | Two nature lyrics on one reel. In the first, Debus... | Gary Adlestein | 1990 | Super 8mm, 18 fps | COLOR | SOUND | 5 mins | |
| Regarding Motion | This is a film in which I sought to explore variou... | Alfonso Alvarez | 1987 | Super 8mm, 18 fps | COLOR/B&W | SILENT | 4.5 mins | |
| City City, Day Night | At one time I had a job driving in San Francisco.... | Alfonso Alvarez | 1988 | Super 8mm, 24 fps | B&W | SILENT | 5 mins | |
| Looking In, Looking Out | I have combined films of various stocks over a per... | Alfonso Alvarez | 1986-8 | Super 8mm, 24 fps | COLOR/B&W | SILENT | 5 mins | |
| Motel 6 (Not A Thriller) | June '87: coming back from a Grateful Dead show at... | Alfonso Alvarez | 1988 | Super 8mm, 24 fps | COLOR | SILENT | 5 mins | |
| Un Film Terrible | I have combined, hand-colored, and scratched orig... | Alfonso Alvarez | 1985 | Super 8mm, 24 fps | COLOR/B&W | SILENT | 2.5 mins | |
| I Saw Where You Was Last Night | A 14-minute S8mm film which extends the ranges of ... | Bill Creston | 1984 | Super 8mm, 24 fps | COLOR | SOUND | 14 mins | |
| Runner | A film consisting primarily of rapid segments shot... | Bill Creston | 1981 | Super 8mm, 24 fps | COLOR | SOUND | 18 mins | |
| Knowledge They Cannot Lose, A | The film concerns the death of my father and the w... | Nina Fonoroff | 1989 | Super 8mm, 24 fps | COLOR | MAG | 17 mins | |
| Some Phases of an Empire | Using footage rephotographed from the Hollywood sp... | Nina Fonoroff | 1984 | Super 8mm, 24 fps | COLOR | MAG | 9 mins | |
| Whole Note | A portrait of my father in the last days of his li... | Saul Levine | 2000 | Super 8mm, 24 fps | B&W | SILENT | 11 mins | |
| Story of a Man (Going Down in Flames), The | The true story of Kenneth Anthony Zadel, in his Ca... | Leonard Lipton | 1975 | Super 8mm, 24 fps | COLOR | SOUND | 11 mins | |
|
Flapping Things | The first in the series of works in various media ... | Janis Crystal Lipzin | 1974 | Super 8mm, 24 fps | COLOR | SILENT | 10 mins |
|
Seasonal Forces Part 1 | SEASONAL FORCES reveals the dissonance of human an... | Janis Crystal Lipzin | 1996 | Super 8mm, 24 fps | COLOR/B&W | MAG | 23 mins |
|
|
Seasonal Forces Part 2 | SEASONAL FORCES reveals the dissonance of human an... | Janis Crystal Lipzin | 1996 | Super 8mm, 24 fps | COLOR/B&W | MAG | 21 mins |
| Expulsion | EXPULSION is a combination of live and found foota... | Julie Murray | 1989 | Super 8mm, 24 fps | COLOR | SOUND | 9 mins | |
|
FF | FF is around three years' worth of collected foota... | Julie Murray | 1986 | Super 8mm, 24 fps | COLOR | SOUND | 10 mins |